Damian Giambazi Guitar

Damian Giambazi Guitar

Guitar Practice and Theory

  • Damian Giambazi
  • The Neglected Genus. Part 2.

    History & Modern practice of the Enharmonic Genus. Part 2. In the first part of this series of articles we established a historical background and a theoretical basis for a modern enharmonic approach for the electric guitar. The search was inspired by Jean-Philippe Rameau’s (1971) comment; “In the use of melody, it seems that the…

    Damian Giambazi

    March 14, 2022
    Uncategorized
    ancient music, diatonic genus, Dorian, enharmonic, enharmonic genus, genus, guitar, music, performance, Phrygian, technique
  • The Neglected Genus.

    To achieve the enharmonic major 3rd within the tetrachord the 1st tone above the fundamental tone must be intoned at a fraction of a minor 2nd – a quarter tone. Hence, the enharmonic is characterized by a fundamental tone – a quarter tone – a quarter tone – and a major 3rd. It is easier…

    Damian Giambazi

    February 24, 2022
    Uncategorized
    ancient music, Aristides Quintilianus, chromatic genus, diatonic genus, Dorian, electric guitar, enharmonic, enharmonic genus, genus, guitar, helmholtz, imagination, mode, music, music theory, musical mode, performance, Phrygian, Plato, Rameau, reconstruction, technique, tetrachord

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